Albert Bierstadt
German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.

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Albert Bierstadt Mariposa Indian Encampment, Yosemite Valley, California oil painting


Mariposa Indian Encampment, Yosemite Valley, California
1872 Medium Oil on paper laid down on canvas Dimensions 40.64 x 141.94 cm (16 x 55.9 in) cjr
Painting ID::  90650
Albert Bierstadt
Mariposa Indian Encampment, Yosemite Valley, California
1872 Medium Oil on paper laid down on canvas Dimensions 40.64 x 141.94 cm (16 x 55.9 in) cjr
   
   
     

Albert Bierstadt Tropical Landscape oil painting


Tropical Landscape
Oil on academy board Dimensions 34.93 x 48.9 cm (13.8 x 19.3 in) cyf
Painting ID::  90722
Albert Bierstadt
Tropical Landscape
Oil on academy board Dimensions 34.93 x 48.9 cm (13.8 x 19.3 in) cyf
   
   
     

Albert Bierstadt Sunset in Californa Yosemite oil painting


Sunset in Californa Yosemite
oil on canvas cyf
Painting ID::  91480
Albert Bierstadt
Sunset in Californa Yosemite
oil on canvas cyf
   
   
     

Albert Bierstadt Deer and River oil painting


Deer and River
1868(1868) Medium oil on canvas cyf
Painting ID::  91481
Albert Bierstadt
Deer and River
1868(1868) Medium oil on canvas cyf
   
   
     

Albert Bierstadt Nevada Falls oil painting


Nevada Falls
Oil on paper laid down on canvas Dimensions 34.93 x 52.71 cm (13.8 x 20.8 in) cjr
Painting ID::  93569
Albert Bierstadt
Nevada Falls
Oil on paper laid down on canvas Dimensions 34.93 x 52.71 cm (13.8 x 20.8 in) cjr
   
   
     

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     Albert Bierstadt
     German-born American Hudson River School Painter, 1830-1902 Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting. Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career. Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.

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